A Polyglot of Foreign Proverbs Comprising French, German, Dutch, Spanish, Portuguese and Danish, with English Translations and a General Index — Story, Setting & Ideas
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Before opening A Polyglot of Foreign Proverbs Comprising French, German, Dutch, Spanish, Portuguese and Danish, with English Translations and a General Index — Story, Setting & Ideas, the edition data offers a quick orientation: 203,728 words, 14 hr 46 min estimated reading time, and 45 detected text sections.
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Read the Text
Der alter Fuhrmann hört gern Knallen. An old coachman loves the crack of the whip.
Der Amboß ist des Lärms gewohnt. The anvil is used to noise.
Der Amboß fürchtet den Hammer nicht. The anvil is not afraid of the hammer.
Der Bauch ist ein böser Rathgeber. The belly is a bad adviser.
Der Bauch läßt sich nichts vorlügen. There’s no putting off a lie upon the belly.
Der beste Prediger ist die Zeit. Time is the best preacher.
Der Eine fängt den Hasen, der Andere ißt ihn. One catches the hare, and another eats it.
Der Eine schlagt den Nagel ein, der Andere hängt den Hut daran. One man knocks in the nail, and another hangs his hat on it.
Der Eine schlagt auf den Busch, der Andere kriegt den Vogel. One beats the bush, and another catches the bird.
Der Esel trägt das Korn in die Mühle, und bekommt Disteln. The ass carries corn to the mill, and gets thistles.
Der Esel und sein Treiber denken nicht überein. The ass and his driver do not think alike.
Der Fisch fängt am Kopf an zu stinken. Fish begin to stink at the head.
Der Fisch will dreimal schwimmen; im Wasser, im Schmalz, und im Wein. A fish should swim thrice: in water, in sauce, and in wine.
Der Fuchs ändert den Pelz und behält den Schalk. The fox changes his skin, but keeps the rogue.
Der Geiß sammelt sich arm, die Milde giebt sich reich. Charity gives itself rich, covetousness hoards itself poor.
Der größte Schritt ist der aus der Thür. The greatest step is out of doors.
Der Hahn ist König auf seinem Miste. The cock is king on his own dunghill.
Der Hahn schließt die Augen, wann er krähet,—weil er es auswendig kann. The cock shuts his eyes when he crows, because he knows it by heart.
Der Henker ist ein scharfer Barbier. The executioner is a keen shaver.
Der Hund, der den Hasen ausspürt, ist so gut wie der ihn fängt. The dog that starts the hare is as good as the one that catches it.
Der Hund raset wider den Stein, und nicht wider den, so geworfen. The dog rages at the stone, not at him that throws it.
Der Hunger treibt dem Wolf aus dem Walde. Hunger drives the wolf out of the wood.
Der Junge kann sterben, der Alte muß sterben. The young may die, the old must die.
Der König kann nicht allweg regieren wie er will. The king cannot always rule as he wishes.
Der Krieg ist lustig den unerfahrnen. War is pleasant to those who have not tried it.
Der Krug geht so lange zum Wasser bis er zerbricht. The pitcher goes so often to the well, that it gets broken at last.
Der leere Wagen muß dem vollen ausweichen. The empty waggon must make room for the full one.
Der Letzte hat den Sack gestohlen. The last stole the sack.
Der Letzte thut die Thür zu. The last shuts the door.
Der liebe Niemand ist an allem schuld. Honest Nobody is to blame for all.
Der Mann im Monde hat das Holz gestohlen. The man in the moon stole the wood.
Der Mensch denkt’s, Gott lenkt’s. Man proposes, God disposes.
Der Mensch liebt nur einmal. Man loves but once.
Der Mönch antwortet, wie der Abt singt. The monk responds as the abbot chants.
Der Müller ist fromm, der Haare auf den Zähnen hat. That miller is honest who has hair on his teeth.
Der Narben lacht, wer Wünden nie gefühlt. He laughs at scars who never felt a wound.
Der Neutrale wird von oben begossen, von unten gesengt. Neutrals are soused from above, and singed from below.
Der Pabst frißt Bauern, säuft Edelleute, und schießt Mönche. The pope eats peasants, gulps gentlemen, and voids monks.
Der Pfaff liebt seine Heerde, doch die Lämmlein mehr als die Wedder. The priest loves his flock, but the lambs more than the wethers.
Der Schlüssel, den man braucht, wird blank. The key that is used grows bright.
Der Stärkste hat Recht. Right is with the strongest.
Der Teufel ist nie so schwarz, als man ihn mahlt. The devil is never so black as he is painted.
Der Teufel ist artig, wenn man ihm schmeichelt. The devil is civil when he is flattered.
Der Teufel gießt gern was schon naß ist. The devil likes to souse what is already wet.
Der Wald hat Ohren, das Feld hat Augen. The wood has ears, the field has eyes.
Henry G. Bohn's A Polyglot of Foreign Proverbs (1857) arranges thousands of proverbs from French, Italian, German, Dutch, Spanish, Portuguese, and Danish into language-specific monographs, each sorted alphabetically. The volume's structure—a series of parallel lists—foregrounds the recurrence of similar wisdom across cultures: the Dutch “De kruik gaat zo lang te water dat zij eindelyk breekt” mirrors the English “The pitcher goes so often to the well that it breaks at last,” while the German counterpart appears elsewhere. Bohn's general index then collates these dispersed entries, allowing a reader to trace a single idea—like “the devil is not so black as he is painted”—through multiple languages. This design transforms a reference work into a comparative study of folk logic.
Monographic Arrangement and Cross-Linguistic Parallels
Bohn divides the proverbs by language, each section beginning with a title page and running alphabetically by the first significant word. Within Dutch, for instance, entries proceed from “De” phrases to “Een” and beyond. This layout makes visible how different languages encode similar observations: the Dutch “De eene hand wascht de andere, en beide het aangezigt” (One hand washes the other, and both the face) has analogues in French and German. The index then groups these dispersed variants under a single English headword, enabling a reader to compare formulations across seven languages. Bohn notes in his preface that “many of the proverbs are quite new to the English reader,” and the monographic structure underscores that novelty by presenting each language’s repertoire as a coherent set.
Recurring Images and Their Variations
Certain images recur across the collection, often with slight shifts in detail. The fox and the grapes appear in Dutch as “De druiven zijn zuur, sprak de vos, maar hij kon er niet bij” (The grapes are sour, said the fox, when he could not get at them), while the French version may substitute a different animal. The devil is a frequent figure: Dutch has “De duivel is zoo zwart niet, als hij wel geschilderd wordt” (The devil is not so black as he is painted) and “De duivel zit achter het kruis” (The devil sits behind the cross). These repeated motifs—the fox, the devil, the pitcher, the hand—create a network of shared metaphors, yet each language inflects them with its own rhythm and vocabulary. Bohn’s translations sometimes preserve “pleasant bits of doggerel and alliteration,” as he admits, adding a layer of English playfulness to the foreign originals.
Movement Between Languages and the Index’s Role
The general index is the volume’s navigational spine, condensing “a whole group” of related proverbs into a single line. A reader looking for “Opportunity makes the thief” finds the Dutch “De gelegenheid maakt den dief” and its equivalents in other languages. This movement from index entry to monographic list encourages a comparative reading practice: one can start with a familiar English proverb, then jump to the Dutch section to see its exact wording, then to the French. Bohn’s preface explains that he sought “to bring as far as possible into juxta-position” the proverbs, and the index is the mechanism for that juxtaposition. Without it, the monographs would remain isolated; with it, the volume becomes a web of cross-references, inviting the reader to trace how a single observation travels across linguistic borders.
Editorial Choices and the Translator’s Voice
Bohn acknowledges that he is “mainly responsible” for the English translations, except those from Danish, and that he sometimes substituted his own renderings when existing ones did not satisfy him. This editorial hand is visible in the Dutch entries: “De gekken vragen naar de klok, maar de wijzen weten hunnen tijd” becomes “Fools ask what’s o’clock, but wise men know their time,” a translation that preserves the colloquial rhythm. He also notes that he “occasionally indulged in similar playfulness” of alliteration and doggerel, meaning the English versions are not always literal. Readers should therefore treat the translations as approximations that reflect Bohn’s own stylistic preferences rather than strict equivalents. The preface’s list of collaborators—Signor Pistrucci for Italian, Señor Yrazoqui for Spanish, and others—indicates a concerted effort at accuracy, but the final English text remains filtered through Bohn’s sensibility.
Because the proverbs are presented without contextual notes or usage examples, the volume functions best as a reference for comparative phraseology rather than a guide to conversational deployment. Readers interested in the cultural background of individual sayings will need to consult other sources. The index is the most efficient entry point: start with a familiar English proverb, then explore its foreign counterparts to observe how different languages shape the same idea. Bohn’s collection rewards browsing, but its real utility lies in the systematic comparison his structure enables.
That rainy afternoon, I kept returning to Bohn’s proverbs, struck by how a Dutch saying echoed a Spanish one yet felt entirely its own. The quiet thrill of recognizing a familiar thought in unfamiliar words lingered. Later, thumbing through Useful Phrases in the Shanghai Dialect — Reading Companion, that same gentle wonder returned—another language’s daily rhythms, patiently waiting to be overheard.
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