The Gutenberg Webster's Unabridged Dictionary: Section I, J, K, and L — Key Ideas to Explore

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Project Gutenberg, Webster, Noah, 1758-1843 Project Gutenberg 1996 Not confirmed
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Edition facts

Words 404,005
Reading time 1757 min
Text sections 56

The catalog record for The Gutenberg Webster's Unabridged Dictionary: Section I, J, K, and L — Key Ideas to Explore provides practical reading context through 404,005 words, 29 hr 17 min estimated reading time, and 56 detected text sections.

The text analysis averages about 11.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “English language -- Dictionaries,” connecting these edition facts with the source record’s subject description.

This editorial note examines the authorial choices in Noah Webster's 1913 Unabridged Dictionary entries for I, J, K, and L, focusing on etymological precision, phonetic notation, and illustrative quotations that reveal the lexicographer's method.
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Read the Text

received these demonstrations of affection.

I"cy-pearl`ed (?), a. Spangled with ice.

Mounting up in icy-pearled car.

I'd (?). A contraction from I would or I had.

Id (?), n. (Zoöl.) A small fresh-water cyprinoid fish (Leuciscus idus or Idus idus) of Europe. A domesticated variety, colored like the goldfish, is called orfe in Germany.

I*da"li*an (?), a. Of or pertaining to Idalium, a mountain city in Cyprus, or to Venus, to whom it was sacred. "Idalian Aphrodité." Tennyson.

Ide (?), n. (Zoöl.) Same as Id.

-ide (?). (Chem.) A suffix used to denote: (a) The nonmetallic, or negative, element or radical in a binary compound; as, oxide, sulphide, chloride. (b) A compound which is an anhydride; as, glycolide, phthalide. (c) Any one of a series of derivatives; as, indogenide, glucoside, etc.

I*de"a (?), n.; pl. Ideas (#). [L. idea, Gr. &?;, fr. &?; to see; akin to E. wit: cf. F. idée. See Wit.] 1. The transcript, image, or picture of a visible object, that is formed by the mind; also, a similar image of any object whatever, whether sensible or spiritual.

Her sweet idea wandered through his thoughts.

Being the right idea of your father Both in your form and nobleness of mind.

This representation or likeness of the object being transmitted from thence [the senses] to the imagination, and lodged there for the view and observation of the pure intellect, is aptly and properly called its idea.

2. A general notion, or a conception formed by generalization.

Alice had not the slightest idea what latitude was.

3. Hence: Any object apprehended, conceived, or thought of, by the mind; a notion, conception, or thought; the real object that is conceived or thought of.

Whatsoever the mind perceives in itself, or as the immediate object of perception, thought, or undersanding, that I call idea.

4. A belief, option, or doctrine; a characteristic or controlling principle; as, an essential idea; the idea of development.

That fellow seems to me to possess but one idea, and that is a wrong one.

What is now "idea" for us? How infinite the fall of this word, since the time where Milton sang of the Creator contemplating his newly-created world, - "how it showed . . . Answering his great idea," - to its present use, when this person "has an idea that the train has started," and the other "had no idea that the dinner would be so bad!"

5. A plan or purpose of action; intention; design.

I shortly afterwards set off for that capital, with an idea of undertaking while there the translation of the work.

6. A rational conception; the complete conception of an object when thought of in all its essential elements or constituents; the necessary metaphysical or constituent attributes and relations, when conceived in the abstract.

7. A fiction object or picture created by the imagination; the same when proposed as a pattern to be copied, or a standard to be reached; one of the archetypes or patterns of created things, conceived by the Platonists to have excited objectively from eternity in the mind of the Deity.

Thence to behold this new-created world, The addition of his empire, how it showed In prospect from his throne, how good, how fair, Answering his great idea.

"In England, Locke may be said to have been the first who naturalized the term in its Cartesian universality. When, in common language, employed by Milton and Dryden, after Descartes, as before him by Sidney, Spenser, Shakespeare, Hooker, etc., the meaning is Platonic." Sir W. Hamilton.

Abstract idea, Association of ideas, etc. See under Abstract, Association, etc.

Syn. -- Notion; conception; thought; sentiment; fancy; image; perception; impression; opinion; belief; observation; judgment; consideration; view; design; intention; purpose; plan; model; pattern. There is scarcely any other word which is subjected to such abusive treatment as is the word idea, in the very general and indiscriminative way in which it is employed, as it is used variously to signify almost any act, state, or content of thought.

I*de"al (?), a. [L. idealis: cf. F. idéal.] 1. Existing in idea or thought; conceptional; intellectual; mental; as, ideal knowledge.

2. Reaching an imaginary standard of excellence; fit for a model; faultless; as, ideal beauty. Byron.

There will always be a wide interval between practical and ideal excellence.

3. Existing in fancy or imagination only; visionary; unreal. "Planning ideal common wealth." Southey.

4. Teaching the doctrine of idealism; as, the ideal theory or philosophy.

5. (Math.) Imaginary.

Syn. -- Intellectual; mental; visionary; fanciful; imaginary; unreal; impracticable; utopian.

I*de"al (?), n. A mental conception regarded as a standard of perfection; a model of excellence, beauty, etc.

Noah Webster's 1913 Unabridged Dictionary, as digitized in this Project Gutenberg edition, reveals a lexicographer deeply attentive to the historical layers of English. The entries for I, J, K, and L demonstrate a method that balances etymological rigor with practical usage notes. Webster traces the letter I from Phoenician through Latin and Greek, noting its original value 'nearly the same as that of the Italian I, or long e as in mete.' He also documents the dot over the lowercase i as a 14th-century innovation, a detail that grounds the dictionary in historical linguistics rather than mere definition.

Etymological Precision and Comparative Philology

Webster's entries consistently reach beyond English to establish cognates across Indo-European languages. For the pronoun 'I,' he lists Old English ic, Gothic ik, Latin ego, Greek egō, and Sanskrit aham, concluding with a cross-reference to 'Egoism.' This comparative approach is not merely decorative; it reflects Webster's belief that a dictionary should reveal the genetic relationships among words. Similarly, the entry for 'iambic' defines the metrical foot as 'a short syllable followed by a long one' and immediately supplies the Greek source iambikos. Such etymological chains are a hallmark of this edition, offering readers a window into the deep history of English vocabulary.

Phonetic Notation and Pronunciation Guides

Webster devotes considerable space to the sounds of the letter I, distinguishing five principal vowel sounds: the long as in 'pine,' short as in 'pin,' the e-like sound in 'thirst,' the foreign e in 'machine,' and the consonantal y in 'bunion.' He also references the 'Guide to Pronunciation, §§ 98-106' for further detail. This systematic treatment of pronunciation is a key feature of the dictionary, aiming to standardize spoken English. The entry for 'jewel' includes a pronunciation guide for the verb forms 'jeweled' or 'jewelled,' showing Webster's attention to variant spellings and their phonetic implications. Such details make the dictionary a valuable resource for historical phonetics.

Illustrative Quotations and Usage Examples

Webster enlivens definitions with quotations from canonical authors, demonstrating usage in context. Under 'jewel' as a verb, he cites Matthew Arnold: 'The long gray tufts . . . are jeweled thick with dew.' This poetic example not only clarifies the verb's meaning but also shows its figurative application. The entry for 'Jew's-harp' includes a note on the instrument's alternative name 'Jew's-trump' and a nautical sense as 'the shackle for joining a chain cable to an anchor.' Such multiple definitions, supported by quotations from Shakespeare and Sir Walter Scott, illustrate the dictionary's breadth. Webster's choice of quotations often reflects literary and practical domains, from poetry to seamanship.

Structural Organization and Cross-References

The dictionary's structure reveals careful planning. Entries for compound terms like 'jib boom,' 'jib crane,' and 'jib door' are nested under the main entry 'jib,' with each sub-entry defined and cross-referenced. The entry for 'Jew's-harp' includes a parenthetical etymology: 'Jew + harp; or possibly a corrupt. of jaw's harp; cf. G. maultrommel, lit., mouthdrum.' This shows Webster's willingness to propose alternative origins. The inclusion of obsolete forms, such as 'Jewise' marked '[Obs.] Chaucer,' indicates a historical scope that traces words through their life cycles. Such organizational choices make the dictionary not just a reference but a map of the English language's evolution.

Readers approaching this dictionary should note that it is a snapshot of early 20th-century lexicography, with entries that blend scientific etymology with literary taste. The Project Gutenberg edition preserves the original typography and formatting, including the use of brackets and abbreviations. For those interested in the history of English, this volume offers a rich field of study, revealing how one influential lexicographer understood and presented the language of his time.

That rainy afternoon, I got lost in Webster’s quiet precision for the letter L, tracing how each word carried its own fossilized history. The definitions felt like stepping stones, and I found myself craving a different kind of order—not alphabetical, but associative. So I picked up Roget's Thesaurus — A Closer Reading, and the rain seemed to slow, matching the gentle turn of ideas into neighbors.

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