A Dictionary of English Synonymes and Synonymous or Parallel Expressions Designed as a Practical Guide to Aptness and Variety of Phraseology — Story, Setting & Ideas
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SYNONYMOUS OR PARALLEL EXPRESSIONS
DESIGNED AS A PRACTICAL GUIDE TO APTNESS AND VARIETY
The exertion of clothing a thought in a completely new set of words increases both clearness of thought and mastery over words. It is the test of a solid thought that it will bear a change of clothing.--J. R. SEELEY.
LITTLE, BROWN, AND COMPANY
Entered according to Act of Congress, in the year 1871, by
In the Office of the Librarian of Congress at Washington.
PRESS OF JOHN WILSON AND SON.
Definitions which are synonyms in alphabetic order in the text (e.g. Afterward, Afterwards) are shown as connected by braces followed by the common description(s). In this text they have been separated and duplicated. Minor typos and numbering errors of descriptions have been corrected. All small caps have been converted to CAPITALS. Inconsistent hyphenation has been retained.
The main design of this Dictionary is to provide a ready means of assistance when one is at a loss for a word or an expression that best suits a particular turn of thought or mood of the mind, or that may obviate an ungraceful repetition. Even practised and skilful writers are sometimes embarrassed in the endeavor to make a sentence more clear, simple, terse, or rhythmical, by the substitution of one form of diction for another. It is presumed that they, as well as novices in composition, will find the present work useful in overcoming difficulties of this sort.
As to the method of using it: Whenever a doubt arises in regard to the fitness of any word, and a better one is not readily suggested, let the writer turn to this word in its alphabetical place. Under it will be found the words and phrases, or some clew to the words and phrases, which, in any connection, have the same meaning as itself, or a meaning very nearly the same. That one of them, which comes nearest to expressing the exact shade of thought in the writer's mind, will be likely to arrest the attention and determine the choice.
In most cases, all the words that belong to any group will be found in that group. But in some instances, as when the same word falls into two or more groups that are near to each other, or when there are so many synonymes for a word that a repetition of every one of them under each in its alphabetical place would seem to be too formal and prolix, the inquirer is referred to some prominent word among them for a view of the whole. Under the word _Blockhead_, for example, reference is made to the word DUNCE,--printed, for this purpose, in capitals, as here,--under which will be found all the words that are synonymous with it. This example is given because it is the most marked one in our language of a multiplicity of terms for the same idea.
Many nouns ending in _ness_, and adverbs ending in _ly_, have been omitted in their alphabetical places, for the reason that their synonymes are sufficiently indicated by the corresponding adjectives.
The aim has been to present at a single glance the words or modes of speech which denote the same object, or which express the same general idea, with only slight shades of difference. There has been no attempt at elaborate discussion of the nice distinctions that obtain between words apparently synonymous; but hints of such distinctions have been given whenever it was practicable to give them briefly in a parenthetical remark.
In preparing this Dictionary, free use has been made of the following works: Roget's Thesaurus of Words and Phrases; the Quarto Dictionaries of Webster and of Worcester; Crabb's Synonymes; Graham's Synonymes; Whately's Synonymes; Platt's Synonymes; the Dictionaries of Synonymes by Fenby, Sherer, Mackenzie, and Smith; the Medical Dictionaries of Dunglison and of Thomas; and the United States Dispensatory by Wood and Bache. It contains much, however, that has been gathered from a wide field of miscellaneous reading during a long series of years.
The author is under special obligations to his friends Mr. JUSTIN WINSOR, Mr. WILLIAM A. WHEELER, and Mr. LOOMIS J. CAMPBELL, for the interest they have manifested in the progress of the work, and for their valuable suggestions and criticisms.
BROOKLINE, January 2d, 1871.
Richard Soule's 1871 dictionary is built around a simple but powerful premise: that finding the right word is a matter of method, not luck. The preface describes it as a 'ready means of assistance' when a writer is 'at a loss for a word' that suits a particular thought or mood. Soule's solution is alphabetical access: look up any word, and beneath it you will find its synonyms, often grouped with cross-references to related entries. The structure is designed to let the writer browse until the exact shade of meaning 'arrests the attention.'
The excerpts reveal a work that is both systematic and idiosyncratic. Entries range from the formal ('Intrepidity' with its chain of 'boldness, fearlessness, bravery') to the colloquial ('Intoxicated' offers 'half seas over' and 'three sheets in the wind'). Soule also includes usage notes, such as a warning that 'in their midst' is 'not sanctioned by the best writers.' This mix of precision and personality gives the dictionary a distinctive voice.
Alphabetical Architecture and Cross-Reference
Soule's dictionary is organized as a straightforward alphabetical list, but its cross-reference system adds a layer of navigation. When a word has many synonyms, the entry may direct the reader to a 'prominent word' printed in small capitals. For example, under 'Blockhead' the reader is referred to 'DUNCE,' where all related terms are gathered. This method avoids repetition while keeping the dictionary compact. The excerpts show this in action: 'Intimacy' leads to 'familiarity, fellowship, friendship,' while 'Intimate' as an adjective offers 'near, close' and as a noun 'confidant, crony.' The system assumes the reader will follow these links, creating a web of associations rather than isolated lists.
Register and Colloquial Range
The dictionary spans a wide register, from formal Latinate terms to slang and idiomatic phrases. Under 'Intoxicated,' Soule lists 'inebriated, drunk, tipsy, drunken, fuddled, muddled, disguised, maudlin, mellow, slewed, groggy, in liquor, in one's cups, half seas over, three sheets in the wind.' This range shows his intent to cover both literary and everyday usage. Similarly, 'Intimate' as an adjective includes 'thick, hand and glove, hail fellow well met.' Soule does not shy away from marking usage: he notes that 'in their midst' is 'common, but not sanctioned by the best writers.' Such judgments reveal a prescriptive streak, but the inclusion of colloquial forms makes the dictionary a record of 19th-century English as it was actually used.
Phrasal and Idiomatic Entries
Beyond single words, Soule includes phrases and idioms as headwords. Examples from the excerpts include 'In the family way' (pregnant), 'In the long run' (finally), 'In the wind' (in preparation), and 'In the wrong' (mistaken). These entries treat phrases as lexical units, giving synonyms or explanations. The phrase 'In the straw' is defined as 'confined, lying in, in child-bed, brought to bed.' This approach acknowledges that much of English expression is formulaic. Soule also includes Latin phrases like 'In toto' and 'In transitu,' reflecting the scholarly context of the era. The inclusion of such entries makes the dictionary useful not only for synonymy but for understanding idiomatic usage.
The Preface as a User's Manual
Soule's preface is a concise guide to using the dictionary. He explains that when a doubt arises about a word, the writer should turn to that word in its alphabetical place. Under it will be found 'the words and phrases, or some clew to the words and phrases, which, in any connection, have the same meaning.' The goal is to help the writer avoid 'ungraceful repetition' and to make sentences 'more clear, simple, terse, or rhythmical.' The preface also describes the cross-reference system, using 'Blockhead' and 'Dunce' as an example. This user-oriented framing sets the dictionary apart from mere lists: it is a tool for active composition, not passive reference.
Soule's dictionary rewards browsing as much as lookup. The reader who turns to a single word may find a dozen alternatives, each with a slightly different connotation. The cross-references invite exploration, and the inclusion of colloquial and idiomatic entries gives a sense of the language's texture. For anyone interested in the choices that shape prose—whether to avoid repetition, sharpen meaning, or match tone—this work offers a practical and historically rich resource. It is best used not as a final authority but as a starting point for reflection on word choice.
That gray afternoon, flipping through Soule’s old synonyms, I lingered on “conversation”—its weary alternatives—and felt a sudden pull toward something warmer. Before I knew it, I was lost in Putnam's Phrase Book An Aid to Social Letter Writing and to Ready and Effective Conversation, with Over 100 Model Social Letters and 6000 of the World's Best English — A Closer Reading, where those bare words turned into actual letters, handwritten and full of breath.
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