A Grammar of Colloquial Chinese, as Exhibited in the Shanghai Dialect — Story, Setting & Ideas
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J. EDKINS, B.A., Univ. Coll. Lond.
SECOND EDITION, CORRECTED.
PRESBYTERIAN MISSION PRESS.
TO FIRST EDITION 1853.
Among works on Chinese Grammar, that of Prémare, written a century and a half ago, still stands preeminent. Besides a more extended knowledge, he possessed a better appreciation of the peculiar beauties of Chinese style, than any other writer on the subject. But it has been justly remarked that his work, abounding in good examples, is deficient in order, and the exhibition of principles. Remusat, in his accurate and learned work, has made great use of Prémare, but he has given less attention than his predecessor, to those numerous groups, in which ideas or sounds are repeated, and he says nothing on propositions. The deficiency that the reader of these works feels in the treatment of groups of words, has been pointed out by Bazin in his clever Essay on Colloquial Mandarin. He quotes the section on words, in Gutzlaff’s Notices on Chinese Grammar, containing a classification of compound words. Partly from the suggestion of that work, and more from his own researches, he has constructed a comprehensive system of grouped words (mots composés).
The little work now in the hands of the reader, is an attempt to elucidate colloquial Chinese, by taking a limited field of enquiry, that of the dialect of a single district. By this means it has been hoped, something might be done to help the causes of Chinese philology, by collecting facts, which writers having a wider scope, have overlooked.
There are aids for the study of the southern dialects of China, but no one has yet written on the speech of the rich and populous province of Kiáng-nán. On Missionary and Commercial grounds, it is time that some attempt should be made to supply this want.
The mandarin student will meet with scarcely any new idioms here. Of words, there are a few tens not used in the fashionable colloquial. It is in sounds that the greatest variation exists, and an attempt has therefore been made to form a correct nomenclature for tones, and for the alphabetic elements of spoken words. For the latter, Sir W. Jones’ system, as introduced by J. R. Morrison in the Chinese Repository, has, with a few necessary modifications, been adopted as by far the best.
For the tones, a new nomenclature is here proposed, based on their real character, as distinct from the arbitrary names, which, though they doubtless represented exactly the tones used by their author, are not applicable, except for convenience sake, to those of other dialects.
Upwards of twenty natural tones, from which each dialect chooses its own set, varying from four to eight, are here described. The early Roman Catholic Missionaries wrote much on this singular characteristic of spoken Chinese, but Bayer in his abstract of their system, in the Museum Sinicum, has not given a very intelligible account of it.
Attention has been paid throughout to the mode of grouping words, as a subject second to none in interest and importance. Some similarity, though an independent one, will be found here to the system adopted by M. Bazin.
The grammars of Morrison and Marshman, beside the excellent works already alluded to, have been of occasional service, especially the latter, which with all its diffuseness, is a useful and suggestive book.
The assistance of friends has been kindly afforded. To Dr. Medhurst special thanks are due, for revising the sheets as they passed through the press, thus adding much to the correctness of the work; and to Rev. T. M’Clatchie, for material assistance in regard to the laws of Shanghai tones.
PART I. ON SOUND, 1–57.
{Section} 1. Alphabet. Table of sounds. 1. 2. On the Chinese tones. Natural tones described. Tones of several dialects. 6. 3. On Shanghai tones. Tones in state of transition. Relation of tones to music and accents. 13. 4. Alphabetic elements of the sounds. The 36 initials of the Dictionaries, Represent the sounds of the old language, and are now a provincial pronunciation. The Shanghai dialect, a branch of that system. Finals. Comparative table of Shanghai and Mandarin finals. The final consonants n, ng and k. 43.
PART II. ON THE PARTS OF SPEECH, 58–162.
{Section} 1. Native divisions. Division proposed by a native grammarian. 58. 2. Relation of the dialect to the written language, and to other dialects. Primitive words exemplified. Relation to the mandarin of the Historical Romances. Compared with the dialect of Sú-cheú. 60. 3. On Substantives. 66. 4. On Numeral and Quantitative Auxiliary Substantives. Distinctive Particles. Significant Particles. Weights and measures. Collectives. 81. 5. On Adjectives. 89. 6. On Pronouns. 101. 7. On Verbs. Modes of grouping. Kinds of Verbs. Mode. Tense. 111. 8. Propositions, and Postpositions. 134. 9. On Adverbs. 136. 10. On Conjunctions. 154. 11. On Expletives and Interjections. 160.
PART III. ON SYNTAX, 163–214.
Joseph Edkins opens his 1868 grammar by positioning it within a lineage of Chinese grammatical study, citing Prémare, Remusat, and Bazin. He narrows his focus to the Shanghai dialect, a choice he justifies on missionary and commercial grounds, noting that no prior work had addressed the speech of Kiáng-nán. Edkins proposes a new tone nomenclature based on what he calls the “real character” of tones, distinguishing his system from the arbitrary names used elsewhere. He identifies over twenty natural tones from which dialects select sets of four to eight.
Tone Nomenclature and Sound
Edkins devotes considerable attention to the sound system, adopting Sir W. Jones’s alphabetic system as modified by J. R. Morrison. He argues that existing tone names, though precise for their author’s dialect, are not transferable. His own nomenclature aims to describe tones by their actual phonetic character. The grammar thus treats sound as the primary locus of dialectal variation, while claiming that idioms differ little from Mandarin. This focus on phonetics reflects Edkins’s broader philological method: he collects facts overlooked by wider-scope writers.
Compound Verbs and Enclitics
Edkins catalogues verbs formed by apposition of a transitive verb and an adjective, such as ká dzáng (add long, to lengthen) and tsú’ ’hau (do good, complete making). He observes that Chinese compensates for the lack of derivational endings by prefixing separate words, analogous to English phrases like “rub smooth.” He also lists enclitics—words like sah (to kill) and dzû‘ (resist)—that attach to verbs to modify meaning. For example, ’tsú dzû‘ means “resist,” and ’ngau dzû‘ means “hold with the teeth.” These examples illustrate how the grammar dissects colloquial usage into systematic patterns.
Rhythm and Redundant Substantives
Edkins notes that in many cases a substantive follows a verb where it would be unnecessary in English, as in ’tseu lú‘ (walk road) and tsuh pú‘ (weave cloth). He attributes this to the “rhythmical construction of sentences, peculiar and essential to the Chinese language.” The grammar also points out that when a substantive is governed by another verb, its usual companion may be appended redundantly, as in dzing van‘ k’iuh (seek food eat), where “eat” is superfluous. These observations reveal Edkins’s attention to the spoken language’s structural demands.
Transitive Verbs with Substantive Components
Edkins identifies dissyllabic transitive verbs where one constituent is a substantive, such as wé deu (turn head, to answer) and lóng‘ zun (trick spirits, to deceive). He provides example sentences: “veh ’hau lóng‘ zun báng ’yeu” (you should not deceive friends) and “dzieu lé wé deu ’ngú” (come at once and tell me). These examples demonstrate how the grammar moves from classification to usage, grounding its analysis in colloquial speech. Edkins’s method is taxonomic, but his examples keep the reader anchored in actual spoken phrases.
Edkins’s grammar is best read as a specimen of nineteenth-century missionary philology, where linguistic description served practical ends. Readers interested in the history of Chinese dialect studies will find his tone nomenclature and verb classifications valuable, even if his framework now appears dated. The work rewards attention to its examples, which preserve the sound and structure of mid-nineteenth-century Shanghai colloquial.
I sometimes find myself turning pages of Edkins’s old Shanghai grammar, noting how tones and verbs settle into their own quiet rhythms. It reminds me of another patient companion, the one that maps our own English sentences with equal care. Both ask, gently, that we listen before we speak. English grammar — Key Ideas to Explore holds that same unhurried hand.
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