A short introduction to English grammar — Themes and Context
Edition facts
Before opening A short introduction to English grammar — Themes and Context, the edition data offers a quick orientation: 31,546 words, 2 hr 18 min estimated reading time, and 12 detected text sections.
The text analysis averages about 19.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “English language -- Grammar -- Early works to 1800,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
A SHORT INTRODUCTION TO ENGLISH GRAMMAR: WITH CRITICAL NOTES.
Nam ipsum _Latine_ loqui est illud quidem in magna laude ponendum: sed non tam sua sponte, quam quod est a plerisque neglectum. Non enim tam præclarum est scire _Latine_, quam turpe nescire; neque tam id mihi oratoris boni, quam civis _Romani_ proprium videtur.
LONDON: Printed by J. HUGHS; For A. MILLAR in the Strand; And R. and J. DODSLEY in Pall-mall. 1762.
_The English Language hath been much cultivated during the last two hundred years. It hath been considerably polished and refined; it hath been greatly enlarged in extent and compass; its force and energy, its variety, richness, and elegance, have been tried with good success, in verse and in prose, upon all subjects, and in every kind of stile: but whatever other improvements it may have received, it hath made no advances in Grammatical accuracy._
_It is now about fifty years since Doctor ~Swift~ made a public remonstrance, addressed to the Earl of ~Oxford~, then Lord Treasurer, of the imperfect State of our Language; alledging in particular, “that in many instances it offended against every part of Grammar.” ~Swift~ must be allowed to have been a good judge of this matter. He was himself very attentive to this part, both in his own writings, and in his remarks upon those of his friends: he is one of our most correct, and perhaps our very best prose writer. Indeed the justness of this complaint, as far as I can find, hath never been questioned; and yet no effectual method hath hitherto been taken to redress the grievance of which he complains._
_But let us consider, how, and in what extent, we are to understand this charge brought against the ~English~ Language. Does it mean, that the ~English~ Language as it is spoken by the politest part of the nation, and as it stands in the writings of our most approved authors, oftentimes offends against every part of Grammar? Thus far, I am afraid, the charge is true. Or does it further imply, that our Language is in its nature irregular and capricious; not subject, or not easily reduceable, to a System of rules? In this respect, I am persuaded, the charge is wholly without foundation._
_The ~English~ Language is perhaps of all the present European Languages by much the most simple in its form and construction. Of all the ancient Languages extant that is the most simple, which is undoubtedly the most ancient: but even that Language itself does not equal the ~English~ in simplicity._
_The Words of the ~English~ Language are subject to fewer variations from their original Form, than those perhaps of any other Language whatsoever. Its Substantives have but one variation of Case: nor have they any beside the natural distinction of Gender. Its Adjectives admit of no change at all, except that which expresses the degrees of Comparison. All the possible variations of the original form of the Verb are not above six or seven; whereas in many Languages they amount to one or two hundred: and almost the whole business of Modes, Times, and Voices is managed with great ease by the assistance of eight or nine commodious little Verbs; called from their use Auxiliaries. The Construction of this Language is so easy and obvious, that our Grammarians have thought it hardly worth while to give us any thing like a regular and systematical Syntax. The last ~English~ Grammar that hath been presented to the public, and by the Person best qualified to have given us a perfect one, comprises the whole Syntax in ten lines. The reason, which he assigns for being so very concise in this part, is, “because our Language has so little inflection, that its Construction neither requires nor admits many rules.” In truth, the easier any subject is in its own nature, the harder is it to make it more easy by explanation; and nothing is commonly more unnecessary, and at the same time more difficult, than to give a Demonstration in form of a proposition almost self-evident._
Robert Lowth opens his 1762 grammar by citing Jonathan Swift's public remonstrance that English 'offended against every part of Grammar.' Lowth does not dispute the charge but redirects it: the fault lies not in the language's nature, which he calls 'perhaps of all the present European Languages by much the most simple in its form and construction,' but in the lack of systematic attention. His preface thus sets a dual agenda—to demonstrate that English is reducible to rules and to supply those rules with critical notes that often cite literary examples, especially from Milton and Addison.
Swift's Complaint as a Starting Point
Lowth treats Swift's 1712 letter to the Earl of Oxford as a touchstone, quoting Swift's claim that English 'in many instances ... offended against every part of Grammar.' He then asks what the charge means: does it describe the actual usage of 'the politest part of the nation' and 'our most approved authors'? If so, Lowth concedes, the charge is true. But if it implies that English is inherently irregular, he rejects that outright. The distinction is crucial: Lowth aims to correct usage, not to invent a system. He praises Swift as 'one of our most correct, and perhaps our very best prose writer,' using Swift's own authority to justify the project. This move frames the grammar as a response to a recognized problem, not a pedantic exercise.
Simplicity Claimed, Not Proved
Lowth asserts that English 'is perhaps of all the present European Languages by much the most simple in its form and construction,' and even claims it surpasses ancient languages in simplicity. He supports this by noting that substantives have only one case variation, adjectives admit no change except comparison, and words undergo few inflections. Yet the excerpts do not show him systematically proving this claim with data; instead, the claim appears in the preface as a premise. The grammar itself then proceeds to detail parts of speech, syntax, and punctuation, implying that simplicity does not mean absence of rules. Readers should note that Lowth's argument for simplicity is rhetorical, not empirical, and the critical notes often point out errors in respected authors, complicating the picture of a naturally simple language.
Punctuation as Syntactic Analysis
Lowth's treatment of punctuation reveals his method: he treats commas, semicolons, and periods as markers of syntactic structure, not mere pauses. For example, he explains that a compounded sentence—one with a relative clause inserted—'must therefore be distinguished into its component parts by a Point placed on each side of the additional Sentence.' He then dissects a passage from Addison, showing how 'chastity, fidelity, devotion' are adjuncts that each imply a separate sentence. This approach turns punctuation into a tool for parsing grammar. Lowth also distinguishes between simple and compounded members of sentences, and specifies when commas are needed (e.g., for nouns in apposition with many terms) and when they may be omitted (e.g., in short comparative sentences). His examples from Milton and Pope ground the rules in literary practice.
Lowth's grammar is best read as a period document that both reflects and shaped eighteenth-century ideas of correctness. The critical notes—often pointing out what 'offends against grammar' in canonical writers—show that the rules were contested, not settled. Readers interested in the history of English usage will find here a key text that treats grammar as a matter of national improvement, not mere description.
I keep returning to Robert Lowth’s 1762 grammar, its tidy confidence that English could be tamed into rules. It reminds me, strangely, of A Handbook of the English Language — Context and Discussion, which softened that same impulse into something almost tender—less about mastery, more about listening. Same urgency, different weather.
There are no reviews for this eBook.
Your personal reading reflection
Build a private reading journal entry for this title.